Later that same month, their first full-length album, the self-titled Gorillaz, was released. It became a smash hit and put Gorillaz into the global spotlight. Gorillaz' first single, Clint Eastwood, was released on March 5, 2001. In 2010 Gorillaz made their fans happy: the long-awaited album Plastic Beach was finally issued.Īlbarn said he never expexted that everything would go so far. Japanese girl Noodle can't speak any English beyond the word "noodle" and was sent to Gorillaz in a crate. Bassist Murdoc Niccals's bad temper is explained by the fact "he was dumped on his father's doorstep in infancy". Gorillaz's frontmen 2D is Albarn's compatriot and, apart of singing, he has an interest in machinery. For example, band's drummer Russel Hobbs was a respectful child from the School for Young Achievers, but then a demon possessed him and he mauled several other students.
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For each Gorillaz member Albarn and Hewlett composed a full biography. Later, when Albarn revealed that he was a creator of Gorillaz, he asked journalists if it was a good idea, but the ansewr was "Only deaf didn't recognize Blur's singer characteristic voice yet". His friend Jamie Hewlett, co-creator of the comic book Tank Girl, promised to help Albarn – that is how four pictured members of Gorillaz appeared. Instead, it feels like a musical vacation for all parties involved – a little self-indulgent, but filled with enough fun ideas and good songs to make this virtual band’s debut a genuinely enjoyable album.Everything began when Damon Albarn, the leader of britpop band Blur decided to realese some songs in mock hip-hop style, but not under his own name. Albarn has fun sending up Blur’s cheeky pop on songs like “5/4” and “Re-Hash,” their trip-hop experiments on “New Genious” and “Sound Check,” and “Song 2”-like thrash-pop on “Punk” and “M1 A1.” Despite the similarities between Albarn’s main gig and his contributions here, Gorillaz isn’t an Albarn solo album in disguise Nakamura’s bass- and beat-oriented production gives the album an authentically dub and hip-hop-inspired feel, particularly on “Rock the House” and “Tomorrow Comes Today.” Likewise, Del tha Funkee Homosapien, Miho Hatori, and Ibrahim Ferrer’s vocals ensure that it sounds like a diverse collaboration rather than an insular side project.
Musically, however, Gorillaz is a cutely caricatured blend of Albarn’s eclectic Brit-pop and Nakamura’s equally wide-ranging hip-hop, and it sounds almost as good as the band looks. It’s too bad that there isn’t a DVD version of Gorillaz, with videos for every song, à la the DVD version of Super Furry Animals’ Rings Around the World. And initially, Gorillaz’ self-titled debut feels incomplete when Hewlett’s imagery is removed the concept of Gorillaz as a virtual band doesn’t hold up as well when you can’t see the virtual bandmembers.
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The amazing “Thriller”-meets-Planet of the Apes clip for “Clint Eastwood” is so visually clever that it’s easy to take the song’s equally clever, hip-hop-tinged update of the Specials’ “Ghost Town” for granted. Admittedly, Hewlett’s edgy-cute characterizations of 2-D, Gorillaz’ pretty boy singer (who looks a cross between the Charlatans’ Tim Burgess and Sonic the Hedgehog), sinister bassist Murdoc, whiz-kid guitarist Noodle, and b-boy drummer Russel are so arresting that they almost detract from Gorillaz’ music. It’s tempting to judge Gorillaz – Damon Albarn, Tank Girl creator Jamie Hewlett, and Dan “The Automator” Nakamura’s virtual band – just by their brilliantly animated videos and write the project off as another triumph of style over substance.
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